Photos of Rachel attending a press conference for The Marvelous Mrs. Maisel have been added to the gallery.
Category: The Marvelous Mrs. Maisel
Sorry I’m a little late posting this as I was on vacation. I am thrilled to announce that Rachel won the Outstanding Lead Actress in A Comedy Series award at this year’s Primetime Emmy Awards for her work as Mirium ‘Midge’ Maisel in Amazon Prime’s The Marvelous Mrs. Maisel. The show garnered a total of 8 Emmy wins including Outstanding Comedy Series. I’ve added photos from the awards and related events to the gallery. A HUGE thank you to my friends Jay, AliKat, & Claudia for their very generous donations.
Congratulations to Rachel & all of The Marvelous Mrs. Maisel cast & crew. You guys deserve the recognition for all of your amazing work.
Best Performances is TV Guide’s Emmys video series highlighting the best acting performances of the year. Actors take viewers behind the scenes of their Emmy-nominated performances and explain the secrets of their craft.
Doing stand-up comedy is hard, but acting like you’re really good at stand-up comedy might be harder. And yet Rachel Brosnahan has won the hearts of critics and fans alike doing just that through her performance as Miriam “Midge” Maisel on Amazon’s breakout hit The Marvelous Mrs. Maisel.
Over the course of the eight-episode first season, Brosnahan takes Midge from a devastated, deserted housewife to a triumphant New York City stand-up comedienne. The season’s final episode, “Thank You and Good Night,” which Brosnahan has submitted for consideration at this year’s Emmys, shows the full arc of Midge’s journey as she reconnects with her husband Joel (Michael Zegen), fights with his mistress Penny (Holly Curran), and ultimately learns to rely on herself to make her big comedy comeback.
Brosnahan’s real shining moment in the episode comes in the final scene, when she performs her first tight, rehearsed stand-up set and absolutely nails it. While Brosnahan, who is nominated for Outstanding Lead Actress in a Comedy Series, cut her teeth on serious dramas (House of Cards, Manhattan), she already knows that pulling off a funny scene means playing well with your scene partner, even if there’s a dozen of them.
“I knew that was a moment where you needed to see that Midge had found her voice as a stand-up. She had grown so much. She’d succeeded, she’d bombed — and both kind of on accident. This was purposeful, this was intentional. It was direct and she killed it,” Brosnahan explained for our Best Performances video series. “It was a lot of pressure, but thankfully we have some of the most incredible background actors on this show, who are scene partners in those scenes, who really give it all they have. They listen to me tell the same jokes for 16 hours a day and they laugh and give so much energy back. Really, I owe them so much for making those scenes come alive.”
The final scene isn’t the only instance in the episode in which Brosnahan pulls from her fellow actors’ energy, though. The actress shared a behind-the-scenes secret that explains why her showdown with Curran came off so electric.
“We went to college together. We’ve known each other for years and years and years, so to actually get to work together was … the best,” Brosnahan said. “Penny had hardly said anything through the entire first season. She had almost no lines and then to see her finally marching in and just opening her mouth, and the kinds of things that came out of it — that scene was a blast.”
“It was really such an incredible moment to see [Curran] shine, and [for us to] go toe-to-toe with each other, to go face-to-face and duke it out,” she continued. “It was cathartic to get to tell Penny off in a real way.”
The 70th Annual Primetime Emmy Awards air Monday, Sept. 17 at 8/7c on NBC. The Marvelous Mrs. Maisel is currently streaming on Amazon.
Source: TV Guide
The Marvelous Mrs. Maisel‘s Rachel Brosnahan has definitely received her fair share of not-so-marvelous career advice.
“Just take the money,” the Emmy-nominated actress, 27, first answered in PEOPLE Editor-in-Chief Jess Cagle’s The Jess Cagle Exercise when asked about the worst advice she’d ever received.
“We were shooting a project — that shall remain nameless — that was very unsafe,” the House of Cards alum explained. “It involved a camera drone in the sky and a lightning storm and I turned to another actor on the project and said, ‘I feel like we should get out of here.’”
Despite the bad advice, Brosnahan has gone a long way with her successful career—scoring herself a Golden Globe win and two Emmy nominations.
Most recently, the actress earned an Emmy nomination for best actress in a comedy for her hilarious portrayal of Miriam ‘Midge’ Maisel, a 1950s housewife turned stand-up comedian, on Amazon’s hit show The Marvelous Mrs. Maisel.
“What group of totally complete a******s needs a skating rink in the middle of summer?” asks the first look at the second season of The Marvelous Mrs. Maisel that Amazon dropped today.
There wasn’t a launch date unveiled yet for the Golden Globe winning and multiple Emmy nominated 1950s set comedy from Amy-Sherman Palladino, but we do know where they are going. The location would be the Catskills as the spurned housewife-turned-comedian played by Rachel Brosnahan takes her particular style of comedy and her Alex Borstein played manager on the road out of NYC and upstate.
Having debuted in November last year, the Lenny Bruce portrayed cameoed series from the House of Bezos is looking like the lead contender in a slew of comedy categories for the September 17 Primetime Emmys.
Even with 14 nominations, including Outstanding Comedy Series, Outstanding Lead Actress in a Comedy Series for Brosnahan, Outstanding Supporting Actor in a Comedy Series for Tony Shalhoub, and Outstanding Supporting Actress in a Comedy Series for Borstein, TMMM doesn’t look to be taking anything for granted in a continuous FYC campaign.
Already renewed for a third season, the tale of the sharp tongued Upper West Side divorcee is planning to pop up all over the City of Angels on the 13th, 20th and 27th of August with Maisel look-a-likes, pop up pink lemonade stands and old skool ice cream carts to keep those Emmy voters hydrated and happy. Additionally, with doors opening at 6:30 PM, Amazon Prime Video will be holding a screening at Hollywood Forever tonight of the first two episodes of Season 1 and a whole lotta NYC delicacies.
Sorta like the Catskills, but different.
Miriam “Midge” Maisel has it all. Beauty, wit, a home that belongs in a magazine spread, and an alliterative name. Then she loses a major piece of the puzzle: her husband, who philanders and leaves her high and dry after sparking an interest in stand-up comedy in her. It’s on the stage that she finds success and herself, and it’s online that The Marvelous Mrs. Maisel has found similar success.
An effervescent comedy from Gilmore Girls creator Amy Sherman-Palladino, the Rachel Brosnahan-starring series also tackles modern sexual politics with quick quips and antique flair. Here are 10 facts about the Amazon Studios series, which was just nominated for eight Emmy Awards.
1. THEY BORROWED AN HERB FROM ROSEMARY’S BABY.
In an early episode, a fortune teller hands over a charm to Midge’s mom, Rose (Marin Hinkle), that includes tannis root, which is made up. Specifically, it was invented for the Roman Polanski horror film Rosemary’s Baby, which doesn’t involve comedy so much as it involves a New York City apartment complex filled with Satan worshippers.
2. SOME INITIAL ADVERTISING MADE A CONFUSING RELIGIOUS STATEMENT.
Amazon promos described Midge’s home as “an elegant Upper East Side apartment perfect for hosting Yom Kippur dinner,” which may have confused potential Jewish fans since Yom Kippur is marked by fasting. There is a meal called a “Break-the-Fast,” and while the pilot episode of the show gets that right, the advertising does not.
3. AMY SHERMAN-PALLADINO’S FATHER WAS A COMIC IN THE 1950S.
The show opens in 1958, which required a healthy amount of research, but Sherman-Palladino had the inside track. Her father was Don Sherman, who started off in the Greenwich Village comedy scene. “I grew up with stand-up comedians hanging out in my house,” Sherman-Palladino told Variety. “Stand-up comedians either work a lot or they have a lot of time on their hands to hang around with each other eating deli and making each other laugh. It was like Broadway Danny Rose a lot of the time at my house.” She also dedicated an episode to her father.
4. RACHEL BROSNAHAN WAS TOLD REPEATEDLY THAT SHE WASN’T FUNNY.
Up until she was cast as Midge, Rachel Brosnahan mostly played haunted-eyed girls in severe dramas (see: House of Cards). A lot of bad stuff happened to her characters. She also lost a lot of acting jobs because, while talented, casting directors didn’t think she was funny. “It happened enough times that there was a pattern,” Brosnahan told Glamour. “I thought, ‘Maybe I should listen to it.’ Now I’ve realized you can continue to learn things even when you’ve formed a really solid sense of self.” Now she’s an award-winning comedic actor. Not bad for someone who isn’t funny.
5. THE CREATOR KEEPS ASKING ACTORS IF THEY HAVE MORE HIDDEN TALENTS.
Beyond making a dramatic actor learn how to be a convincing stand-up comic, Sherman-Palladino continues to keep the actors on their toes. After wrapping the first season, Brosnahan got a text from Sherman-Palladino asking if she could ride a bike. Marin Hinkle got a text asking if she could speak French. They also made Brosnahan do something involving “a rolling chair and some choreography” that we’ll have to wait for season two to see. “Took a tumble, so I’m learning new skills,” Brosnahan said.
6. MIDGE IS A SALUTE TO JOAN RIVERS.
Midge is brimming with the same kind of pioneering spirit exemplified by early female comics like Phyllis Diller and Joan Rivers. Midge has a certain brashness that would resonate particularly with the latter. Brosnahan watched a lot of Rivers’s performances to prepare for the role, and even though their styles are somewhat different, their drive and tenacity in a male-dominated field is the same.
7. SHERMAN-PALLADINO WANTED TO MAKE A PERIOD PIECE BECAUSE SHE DOESN’T LIKE TECHNOLOGY.
The writer/producer is known for caffeine-powered dialogue that’s laced with pop culture references aplenty, but she’s not the biggest fan of modernity. Besides creating an homage to her father’s early career, mounting a mid-century series appealed to Sherman-Palladino because of its technological limitations. She relished “the opportunity to do any sort of show where I don’t have to think about Shapchat—I’m thrilled, delighted because I don’t understand technology. I just want to go back to a time where there wasn’t any,” she told Vanity Fair.
8. COFFEE IS ONE KEY TO THE CHARACTER.
How does one spew all those lines written by Sherman-Palladino? “It helps when you really love the project and the role,” Brosnahan told Harper’s Bazaar. “But as we went on, it definitely involved digging pretty deep, and a lot of coffee. Lots and lots and lots of coffee.” The show’s scripts are 10 to 15 pages longer than the average television series.
9. BROSNAHAN GOT THE ROLE DESPITE BOMBING AN AUDITION AND GETTING APOCALYPTICALLY SICK.
After years of being told she wasn’t funny, Brosnahan almost missed the Mrs. Maisel boat, too. She thought she’d done horribly in her initial audition, and then she got sick just before a second chance test with Sherman-Palladino and executive producer Dan Palladino. She postponed the test to see if she’d get better, but she only got worse.
“I rallied, but I honestly was so sick during the camera test,” Brosnahan admitted. “I was so sweaty Amy kept stopping me because I had to powder my face, I was blowing my nose, I took my shoes off at some point … at best, that test was a beautiful disaster. But Midge is kind of a disaster sometimes.”
10. BROSNAHAN DOESN’T THINK OF MIDGE AS A FEMINIST.
Despite treading on traditionally male ground, Brosnahan doesn’t apply the feminist label to her character. Hers is more of a quiet, personal, subversive revolution. “What I love about Midge is that she is so not a feminist,” she told The New York Times. “She’s a creature of her time. What she is, is curious. She’s insatiable. If she doesn’t know things, she wants to know them. And she doesn’t know any other way than forward.”
Source: Mental Floss
Rachel Brosnahan (“The Marvelous Mrs. Maisel”) has a commanding lead in our Emmy predictions for Best Comedy Actress. The vast majority of Gold Derby’s users are betting on her to win, giving her leading odds of 2/11. But one can’t help but wonder, would she still have such a commanding lead if she had to battle Julia Louis-Dreyfus (“Veep”)? Vote in our poll at the bottom of this post.
Louis-Dreyfus won Best Comedy Actress six times in a row (2012-2017) for playing inept politician Selena Meyer in “Veep.” No one has ever won the category that many times, and certainly not for the same role. Louis-Dreyfus’s record is even more impressive because she also won that race in 2006 for “The New Adventures of Old Christine,” and she won Best Comedy Supporting Actress for “Seinfeld” back in 1996. Those eight Emmys mean she is tied with Cloris Leachman for the most acting wins ever at the Primetime Emmys.
But it’s rare to discover a breakout star like Brosnahan, who is reminiscent of 2007 Best Comedy Actress champ America Ferrera (“Ugly Betty”) and 2016 Best Drama Actress victor Tatiana Maslany (“Orphan Black”) in how quickly she has made a name for herself with her breakthrough role. She’s the reigning Golden Globe and Critics’ Choice winner for her performance as the title character, a wife and mother who becomes a defiant stand-up comic.
“Maisel” is one of the most nominated comedies of the year with 14 bids (behind only “Atlanta” with 16). And on top of that, Brosnahan was a surprise Emmy nominee in 2015 for Best Drama Guest Actress for “House of Cards,” so the TV academy liked her before it was cool.
Louis-Dreyfus is out of the running this year because she was diagnosed with cancer in the fall of 2017, and her treatment delayed production on the seventh and final season of “Veep.” So we won’t get to see a showdown between the two leading ladies — at least not this year.
After six straight wins Emmy voters might have been ready to move on to a new winner even if Louis-Dreyfus were around this year. Then again, it might have been tempting to reward her for her “Veep” swan song and complete an undefeated streak that seems unlikely ever to be repeated.
It’s impossible to know for sure how Louis-Dreyfus would have fared for a season that hasn’t aired yet, but what do you think? Given her history and Brosnahan’s breakout, which one of them do you think would have won in a head-to-head match-up?
Be sure to make your Emmy predictions today so that Hollywood insiders can see how their TV shows and performers are faring in our odds. You can keep changing your predictions as often as you like until just before winners are announced on September 17. Be sure to also predict winners for the Creative Arts ceremonies slated for September 8 and 9. And join in the fun debate over the 2018 Emmy taking place right now with Hollywood insiders in our television forums. Read more Gold Derby entertainment news.
Source: Gold Derby
From the time when Rachel Brosnahan first showed up on our screens as Midge, the 50’s housewife-turned-standup comedian in the Amazon series The Marvelous Mrs. Maisel, to when she won the Golden Globe in January for her breakthrough performance, the actress has seemed a natural for creator Amy Sherman-Palladino’s quick-fire one-liners. Which is why it’s a little surprising to hear just how terrified Brosnahan was of her turn to comedy after appearances in deadly serious dramas like House of Cards. Here, catch up with the Emmy nominee as she explains why she some of that Sasha Fierce courage whenever she has to go onstage on Mrs. Maisel, the second season of which is still in production.
Do you remember a time when you did not want to be an actress?
No. There was never a time when I didn’t want to be an actress, I don’t think. Maybe when I was an infant, but probably still then also.
Were you a theatrical child?
I was kind of a shy kid, actually. I read a lot. I had my face in a book all the time, but I had a big imagination.
What was the first job you auditioned for?
My first audition ever was for a voiceover for a rehab facility in central Illinois. I did [book it].
Was there an audition for the Marvelous Mrs. Maisel?
There was definitely an audition; there were a few of them. The first one was pretty standard. I came in for just a casting director in a small room not completely unlike this one that I’m in now, and read a couple of scenes. And then a couple weeks later, I went out to L.A. to read with/for Amy [Sherman-Palladino] and Dan [Palladino] and our L.A. casting director Jeanie Bacharach.
And did you dress the part a little bit?
A little bit. I tried not to. I can’t really do my own hair and makeup, so anything in that department was kind of a disaster. But for my first audition, I think I wore this little yellow shirt that I thought was adorable but then they asked me to change for my second audition. [Laughs.] So, it wasn’t as adorable as I thought.
How much do you think the costumes are apart of the character in Mrs. Maisel?
The costumes are a huge part. Midge’s outer appearance is something she takes an enormous amount of pride in, something that makes her feel good and gives her a purpose. It’s the first thing the world sees and it means a lot to her. The costumes are huge on our show and our costume designer Donna Zakowska is a freaking crazy genius lady and everything that falls out of her brain is more brilliant than the last thing. She just continues to outdo herself, and it’s become such an important part of the show, and of this woman.
Do you have to wear a girdle?
I have to wear a corset, but fun fact about the corset: I used to wear a corset that was called the Krakowski because it had originally been designed for Jane Krakowski. And this season, now we have the Brosnahan, which was designed in Paris when we went out to shoot there for a little bit. So I have my very own corset now. I’m in the big leagues. [Laughs.]
How does it feel? Has it changed your posture, your body?
Yeah, at first, when we first started shooting the first couple episodes of the first season, I felt like I couldn’t think about anything but the fact that I was in a corset. I couldn’t move, I couldn’t breathe, I couldn’t eat. And I got used to it over time, which is sort of disturbing but also great.
And then, this season, with the new one, it’s a little bit different than the former corset. I like it, it’s supportive and… I’m not wearing a corset to make me smaller. I’m wearing a corset to slightly change the shape of my waist to match the 1950’s. So, the clothes in the 50’s, the waist was a little bit lower than it was in the 40’s and my natural waist is kind of high, so that’s the reason I have a corset on. But I do find it changes the way I stand and sit and walk. And between the corset and the petticoats and the tights and these beautiful, beautiful costumes, and hair and makeup, I feel completely transformed when I walk out of the trailer. That’s my favorite part about being an actor—it always has been. And I’m so lucky to be on a show where I get to do that so completely every day.
Were you nervous about doing the comedy?
Was I nervous? [Laughs.] I’m still nervous every single day. Comedy is horrifying, it’s absolutely terrifying, it’s the worst thing I could possibly imagine anyone doing to themselves. And by the same token, it’s the most thrilling and most exhilarating and most bold and brave thing I could possibly imagine. I can’t claim to have ever really experienced what it’s like to do stand up, because real stand up, you’re out there as yourself and you’re pouring your soul out, or some part of your soul out, for a laugh. And on our show, I don’t have to be me, I’m playing a character.
But she’s pouring her soul out.
She is, yeah, but the lines are written for me. The brilliant jokes are written for me—but it’s still horrifying. It’s stage fright like I’ve never experienced, but one of the cool things about the show is that I get to grow along with Midge on this journey towards becoming a comedian.
I’ve learned a lot through the process, too, alongside her about somethings that Susie says to Midge about listening to an audience and responding with your audience and looking out at the crowd and really taking them in and the way that you carry yourself on stage—the way you walk, when you pause.and I’m learning a lot about the more technical side as we go on.
Do you think you’d ever go up and do stand up on your own?
Absolutely not. Nope. No, no, no, never. No, there are a whole host of things I’d rather do … No. [Laughs.]
But when you do it, do you feel you’re channeling something when you’re onstage doing the stand up scenes? Because they’re very interesting.
Really, I get to channel Midge but it feels like a little bit of a Sasha Fierce thing, you know? I do a lot of power posing in my dressing room in my corset and petticoats by myself, sort of trying to draw the confidence from somewhere. But yeah, it’s so cool, and I get to have so many scene partners in those scenes. Our background actors who are in the club with me, they’re extraordinary. They give everything to me while I’m up on stage and they are equally a part of those scenes either succeeding or falling flat and I’m eternally grateful for every new group of actors we have in those scenes.
So, growing up, what was your favorite TV show?
These answers are going to be very highbrow, but I really loved the Rugrats. I also really loved—there was this show on Noggin called Ghostwriter, and I loved it. It was about a bunch of kids my age solving mysteries. It was like a lot of the books I loved to read.
Did you have a favorite film?
[Laughs.] I really loved Austin Powers.
Your parents let you watch it? How old were you?
Too young, maybe. My dad really loved Austin Powers and… This is so silly, but I have such fond memories of watching Austin Powers with my whole family in the living room. My dad, because my brother and I were maybe a little on the young side, anytime they said bad words or something inappropriate, my dad would sort of go [clears throat] through the whole thing. He just loved it. Couldn’t get enough.
When did you tell your parents you wanted to be an actress?
Formally, probably when I was about 17. Right at that point where you’re in school and everybody starts talking about the SATs and the ACTs and where you want to go to college, and I think that was when I really realized I didn’t have any other interests, or any other viable job options.
Well, you were only 17.
That’s right, yeah. It’s so hard to know… It’s still so crazy to me that at 17 you’re supposed to decide what you want to do for the rest of your life. But I think I was pretty certain about it then, and here we are now. It’s working out okay. [Laughs.]
Who was your cinematic crush then or now?
Oh gosh, now I have so many. Colin Firth. I love Colin Firth. I’ve never seen Mamma Mia, but I loved him in Bridget Jones’s Diary, Pride and Prejudice. And I mean, Frances McDormand is my forever screen crush.
When you were little, who did you have a crush on?
Well, I had kind of obscure taste. Fred Durst. From Limp Bizkit. Yeah, yeah, I had a poster of him that I ripped out of J-14 above my bed. I dug him. [Laughs.]
So you were a bit of a head banger as well?
No, no. I just think I thought he looked cool.
You liked tattoos?
I still love tattoos. I loved tattoos then, I still love them now. I don’t have any, though. There’s still time.
What was the first album you ever bought?
I think the first album I ever bought … Was Samantha Mumba too late? When was Samantha Mumba? I really loved Samantha Mumba. I wish I could remember any of her songs now, but I can remember exactly what the cover of her album looked like. I think that probably was the first CD I bought with my own money. The cover of her album was orange. She had a great outfit on it, that’s all I remember. I remember holding that CD and I kept it with me for such a long time. It meant a lot, the first one you buy yourself with allowance or babysitting money.
I also had a lot of, you know, Backstreet Boys, Aaron Carter, 98 Degrees.
I was a Backstreet girl, no NSYNC. That felt like sacrilege. You can’t like them both.
What is your karaoke song?
Well, singing scares the f—ing living daylights out of me, so I don’t karaoke much. “I Will Always Love You” [by Whitney Houston] is really good and gets better the drunker you are. I love “Open Arms.” Journey’s always good. The Spice Girls. Oh, that was another album. I had all the Spice Girls albums. That’s a good karaoke song. Also gets better the drunker you get.
Most karaoke gets better the drunker you get.
That’s true. You get fearless.
Exactly. And where was your first kiss?
Oh my God. My first kiss was… Well, I don’t count this one, but my first actual kiss was in an Embassy Suites hotel room. My cousin and I met some boys and we were playing truth or dare and we sort of had a weird quick little kiss, but I don’t count that one. My first real kiss was in a slide on a playground with a boy that I liked when I was about 12 or 13.
That’s so cute.
We were in the middle of it. We managed to stop somehow in one of those big, tubular slides. It was very cute. It was yellow.
Wow, how romantic. Did he become your boyfriend?
No. [Laughs.] It was just a little crush. I was too young to have a real… I guess, now you’re not too young, but I felt too young then to have a real boyfriend. He was my sort of just my crush, and we kissed a little. I never told anyone that.
What’s your favorite Halloween costume you’ve ever had?
Well, so on the Austin Powers theme, when I was in fourth grade, I went as Vanessa Kensington.
Yeah, and my mom made the costume for me. It was silver and had a little halter neck and some boots, some knee-highs. And I had my hair in like a cute little bump. People had no idea who I was. Nobody has any idea, I was explaining it all day long. It was epic, though.
Source: W Magazine