Miriam “Midge” Maisel has it all. Beauty, wit, a home that belongs in a magazine spread, and an alliterative name. Then she loses a major piece of the puzzle: her husband, who philanders and leaves her high and dry after sparking an interest in stand-up comedy in her. It’s on the stage that she finds success and herself, and it’s online that The Marvelous Mrs. Maisel has found similar success.
An effervescent comedy from Gilmore Girls creator Amy Sherman-Palladino, the Rachel Brosnahan-starring series also tackles modern sexual politics with quick quips and antique flair. Here are 10 facts about the Amazon Studios series, which was just nominated for eight Emmy Awards.
1. THEY BORROWED AN HERB FROM ROSEMARY’S BABY.
In an early episode, a fortune teller hands over a charm to Midge’s mom, Rose (Marin Hinkle), that includes tannis root, which is made up. Specifically, it was invented for the Roman Polanski horror film Rosemary’s Baby, which doesn’t involve comedy so much as it involves a New York City apartment complex filled with Satan worshippers.
2. SOME INITIAL ADVERTISING MADE A CONFUSING RELIGIOUS STATEMENT.
Amazon promos described Midge’s home as “an elegant Upper East Side apartment perfect for hosting Yom Kippur dinner,” which may have confused potential Jewish fans since Yom Kippur is marked by fasting. There is a meal called a “Break-the-Fast,” and while the pilot episode of the show gets that right, the advertising does not.
3. AMY SHERMAN-PALLADINO’S FATHER WAS A COMIC IN THE 1950S.
The show opens in 1958, which required a healthy amount of research, but Sherman-Palladino had the inside track. Her father was Don Sherman, who started off in the Greenwich Village comedy scene. “I grew up with stand-up comedians hanging out in my house,” Sherman-Palladino told Variety. “Stand-up comedians either work a lot or they have a lot of time on their hands to hang around with each other eating deli and making each other laugh. It was like Broadway Danny Rose a lot of the time at my house.” She also dedicated an episode to her father.
4. RACHEL BROSNAHAN WAS TOLD REPEATEDLY THAT SHE WASN’T FUNNY.
Up until she was cast as Midge, Rachel Brosnahan mostly played haunted-eyed girls in severe dramas (see: House of Cards). A lot of bad stuff happened to her characters. She also lost a lot of acting jobs because, while talented, casting directors didn’t think she was funny. “It happened enough times that there was a pattern,” Brosnahan told Glamour. “I thought, ‘Maybe I should listen to it.’ Now I’ve realized you can continue to learn things even when you’ve formed a really solid sense of self.” Now she’s an award-winning comedic actor. Not bad for someone who isn’t funny.
5. THE CREATOR KEEPS ASKING ACTORS IF THEY HAVE MORE HIDDEN TALENTS.
Beyond making a dramatic actor learn how to be a convincing stand-up comic, Sherman-Palladino continues to keep the actors on their toes. After wrapping the first season, Brosnahan got a text from Sherman-Palladino asking if she could ride a bike. Marin Hinkle got a text asking if she could speak French. They also made Brosnahan do something involving “a rolling chair and some choreography” that we’ll have to wait for season two to see. “Took a tumble, so I’m learning new skills,” Brosnahan said.
6. MIDGE IS A SALUTE TO JOAN RIVERS.
Midge is brimming with the same kind of pioneering spirit exemplified by early female comics like Phyllis Diller and Joan Rivers. Midge has a certain brashness that would resonate particularly with the latter. Brosnahan watched a lot of Rivers’s performances to prepare for the role, and even though their styles are somewhat different, their drive and tenacity in a male-dominated field is the same.
7. SHERMAN-PALLADINO WANTED TO MAKE A PERIOD PIECE BECAUSE SHE DOESN’T LIKE TECHNOLOGY.
The writer/producer is known for caffeine-powered dialogue that’s laced with pop culture references aplenty, but she’s not the biggest fan of modernity. Besides creating an homage to her father’s early career, mounting a mid-century series appealed to Sherman-Palladino because of its technological limitations. She relished “the opportunity to do any sort of show where I don’t have to think about Shapchat—I’m thrilled, delighted because I don’t understand technology. I just want to go back to a time where there wasn’t any,” she told Vanity Fair.
8. COFFEE IS ONE KEY TO THE CHARACTER.
How does one spew all those lines written by Sherman-Palladino? “It helps when you really love the project and the role,” Brosnahan told Harper’s Bazaar. “But as we went on, it definitely involved digging pretty deep, and a lot of coffee. Lots and lots and lots of coffee.” The show’s scripts are 10 to 15 pages longer than the average television series.
9. BROSNAHAN GOT THE ROLE DESPITE BOMBING AN AUDITION AND GETTING APOCALYPTICALLY SICK.
After years of being told she wasn’t funny, Brosnahan almost missed the Mrs. Maisel boat, too. She thought she’d done horribly in her initial audition, and then she got sick just before a second chance test with Sherman-Palladino and executive producer Dan Palladino. She postponed the test to see if she’d get better, but she only got worse.
“I rallied, but I honestly was so sick during the camera test,” Brosnahan admitted. “I was so sweaty Amy kept stopping me because I had to powder my face, I was blowing my nose, I took my shoes off at some point … at best, that test was a beautiful disaster. But Midge is kind of a disaster sometimes.”
10. BROSNAHAN DOESN’T THINK OF MIDGE AS A FEMINIST.
Despite treading on traditionally male ground, Brosnahan doesn’t apply the feminist label to her character. Hers is more of a quiet, personal, subversive revolution. “What I love about Midge is that she is so not a feminist,” she told The New York Times. “She’s a creature of her time. What she is, is curious. She’s insatiable. If she doesn’t know things, she wants to know them. And she doesn’t know any other way than forward.”
Source: Mental Floss